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Nova
Huta |
After massively
touring the so-called third world of entertainment [Montreal, Spain, Moscow,
Singapore, Paris, Berlin, Portugal, Switzerland and many others...] Guenter
REZNICEK and his uncle BAMBIJ ROBOT [commonly known as NOVA HUTA] return with
an impressive collection of pop tunes... Please welcome the summer, cuz now
you can have the SUMMER-ALBUM.
It is no doubt, it is going to be great! Three years after his debut as NOVA
HUTA, Reznicek, the master of strange melodies and swaying hips, is finally
back with his new album.
These were three busy and exciting years during which he left his Czech "nonstopdatscha"
in order to tour the world several times, performing at Canadian electronic
festivals, New York pirate TV stations and on French national holidays as well
as at Goethe Institutes in Singapore and Moscow - and it wasn't just the Eastern
European girls who went wild at his savage stomps.
He was one of the first artists to have ruthlessly connected electronic music
with charming entertainment and weirdness, like many performers are trying to
do at the moment.
During these three strange years the music scene has distinctly changed. In
the beginning he was still one of the pioneers who recklessly spiced up electronic
music with gallant entertainment and a pinch of madness. Now, everyone seems
to have gone the same way. Today the poorest figures can be seen jumping about
on stage with their MD-Players. It´s high time we got some things straight.
These three long years haven't left his music-writing unmarked. His fragile
melody-plants have exuberantly grown into a noise jungle with rhythms vibrating
everywhere.. Melodies are hovering all over the space and Reznicek weaves his
way through all genres like a snake.
Imbued with such a cosmopolitan spirit, it is no wonder that his new album is
not released in Germany but on the Lisbon based record label VARIZ, including
a hit in Portuguese.
"Here comes my Seltsam voice" really bursts into open Spring, making
your feet stomp of their own accord and causing your head to bob around. But
what can you call this genre-hopping music?
Is this rather Fake gay disco? Avant-garde girlie pop? Sci-fi? Or perhaps Hi-Lo-fi?
Maybe it is all that at once, but Nova Huta himself has created a trademark
description of it: "Datschadelic music", but what that means exactly,
not even he knows.
A totally irrelevant question anyway, cause the melodies catch the ear, the
rhythms take control of your the legs and the lyrics get into your head. Although
everything regarding Reznicek remains odd and purely special no matter how much
hit potential he's handling. ON MY WAY TO THE TOPLESS TOP is the only way the
world may be defined in 2004.
If you don't get it, the sun won't shine in your town...
PRESS:
" (...) The results do not correspond to any officially registered genre,
but they don't sound any less familiar because of that. (...) there are at least
two obvious reasons why it should deserve your attention: the Cover version
of The Cure's Killing an Arab (rebaptised Killing an Error) and the electropop
play of Guarde as Suas Lágrimas para Outra Pessoa, that could well have
been a song by Portuguese ur-girlband Doce." - Isilda Sanches in DNMais,
DIÁRIO DE NOTÍCIAS
"Anyway, our
memories will be inscribed with small fragments of 'Here Comes My Seltsam Voice'
to which our 'earbugs' will be inclined to go back to. The potential for Both
short and long term nostalgia is very much present." - Miguel Arsénio
in BODYSPACE
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