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@c |
The musical work
of @c (Pedro Almeida, Pedro Tudela and Miguel Carvalhais) is developed in the
cross-section of complimentary approaches to sound aesthetics and electronic
music. If on one hand it's immediately perceptible that there's usually a very
strong rhythmic pulse, it's also common that they integrate several elements
that are free from these structures. Very often these are generated algorithmically
or based in field recordings or sampling, contributing to the setting up of
strategies of deconstruction.
The improvisation, or real-time composition, in dialogue or discussion is the
key to their performances, as is the will not to create closed compositions
but rather to digitally amplify sound realities, creating cross-links between
referrals and memories, playing with the balance between reconnaissance and
abstraction.
@c perform developing algorithmic compositions in which audio and visual elements
are integrated. The images in the @c + Lia performances are much more than a
merely decorative factor, or an accessory element to sound, rather being regarded
as an essential part of the experience.
@c + Lia have already performed in some of the major venues and festivals in
Portugal and perform abroad regularly, having already played in Germany, Austria,
Spain, The Netherlands, United Kingdom and Chile. In spite of the sharp audiovisual
integration proposed by their performances, these regularly admit the collaboration
with other musicians, as it is shown in "v3" with Andy Gangadeen,
Vitor Joaquim, João Hora and Manuel Mota, besides Pedro Almeida that
was part of the project from 2000 to 2003.
PRESS:
"...
this album which includes an interactive track is without doubt one of the best
made in Portugal in the last few years and one which deserves urgent internationalisation.
The sounds range from multifaceted electronics to the manipulation of sounds
and the result is a mosaic of a unique sonorous richness in the Portuguese panorama."
- in Número Magazine
"In "+", @c perform a "noir" radio-play, without script,
dialogues, characters or sets: merely ambience and props. What is heard produces
all the imagery that one needs. An exemplary lesson in economics". - Jorge
Manuel Lopes in Blitz
"Having created a cult-following in the city of Porto, the trio has created
quite a calling card in their first CD, managing to integrate a more experimental
vein that dispenses "beat" (but not pulse) and a vein that normally
is associated with live-act situations, more inclined to the listening experience
of the body than that of the soul. It is worthy of note, however, that the beats
heard throughout the tracks of "+" are not exactly those one hears
in discotheques, sometimes alluding to Steve Reich's early percussive geometry.
Very good". - Rui Eduardo Paes in Jornal de Letras, Artes e Ideias
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